Heh, there really is nothing cuter than a Golden Retriever (Phillip!!) struggling to hold open his heavy eyelids. He’s so lazy that he just doesn’t react, even if you get right in his face with a camera… Hit the jump for a bonus Phillip photo! Continue reading →
Okay everyone, as I promised in my Gakkenflex review, here is an english version of the Gakkenflex instruction manual! I’d just like to preface this by saying that these are not direct Japanese-English translations. My amazing, awesome girlfriend did rough translations of the part names (thank you!!!) and I filled in the rest with my own instructions, based on my experiences. I gave some of the parts my own names, because we had no idea how to translate them, but you should still know what I mean
I know that there are some Gakkenflex clones out there, but the one I got was the offical Otona no Kagaku Magazine, volume 25, which I bought when I was in Japan. The images here are scanned from the magazine that came with it. I hope this is useful!
I know this photo in itself is nothing special – it’s really just a simple matter of taking a double exposure. Despite this, though, images like this are actually what initially inspired me to pick up film cameras. Being someone who has predominantly used point-and-click digital cameras, I had no idea about multiple exposures, and these images totally blew my mind.
It made me happy that this shot turned out well , actually. If you try to do something like this, you’ll have to try and keep the camera in the exact same position for the two shots, or else it will turn into a big massive blur. I wasn’t sure if I managed to achieve that, but it seems to look okay.
This was taken on a recent trip to the Fortitude Valley, near where I live. I was using the Highlighter mod I mentioned in an earlier post, so that I could get some softer colours. I think that the mod sometimes works in conjunction with the natural vividness of the Harinezumi 2++ and you get photos like this one: soft and dreamy, but with some vivid reds.
Left: Scene with soft-colour mod. Right: Normal photo without mod
While I really, really love the Digital Harinezumi 2++, one of my issues with it is that the photos tend to turn out super-saturated and very contrasty. Now, this isn’t usually a huge issue, but sometimes I just want to take photos with softer colours, which would give them more of a dreamy feel. From the photos I’ve seen, the first Harinezumi does seem to take softer colours, but nonetheless I am determined to get that sort of effect with my trusty Zumi 2++
I’ve been experimenting with lots of ways to achieve this and I’ve finally found a cheap and easy way to take dreamy photos with softer colours. As a proof-of-concept, the image above gives you an idea of what to expect.
This was taken with the Harinezumi 2++, ISO100, set on black and white mode. I do enjoy taking photos with lens flare in it, but you should be careful when doing that. The manual says not to point the camera at the sun, as it causes burn-in, and I’ve heard reports of it happening. Despite that, I just can’t help myself! The way I deal with it is to keep it to a minimum.
I was at Surfers Paradise on the Gold Coast when I took this photo.